Criticism / Visual Arts/ Recent pieces

From left to right, Israel Suárez "Piraña," percussion; Alain Pérez, bass; Antonio Sánchez, guitar; Antonio Serrano, harmonica; David De Jacoba, cante, and Farru, dancer. Photo by Luis Malibran There are few artists who have had the impact in their disciplines that guitarist Paco De Lucía had in flamenco. There is a before-and-after De Lucía in flamenco. He expanded the harmonic vocabulary and guitar techniques, incorporated instruments from outside the tradition, and had a curiosity that led him to collaborations with artists as disparate as jazz guitarist John McLaughlin and Brazilian pop star Djavan and also opened new vistas to flamenco artists. He also worked with unorthodox (for flamenco) ensembles, most notably his revolutionary sextet, which included sax, electric bass and cajón, in the 1980s and ‘90s and then later, for 10 years, until his passing in February 2014, his septet. This remarkable group has been re-assembled by producer Javier Limón, a long-time friend and collaborator of De Lucía, and will be performing a tribute at the Olympia Theater in downtown Miami, Florida this Sunday.